the geometry of extinction
the geometry of extinction
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1. Coxeter & Plato’s Cave
2. Maurits Cornelis Escher

1. Coxeter & Plato’s Cave
2. Maurits Cornelis Escher
Verhulst’s Equation: one of the best-known bifurcating equations that lead to deterministic states of bounded chaos.
via Fractal Science Gallery
…
“Composing with Chaos: Applications of a New Science to Music”

by David Little 
“In this presentation, I will give an overview of the new chaos sciences, and show where they may be of application to composers with examples chosen from my own work.”
“Originally developed as a navigational tool for ships, the Mercator map is valuable because it shows certain nautical routes (so-called “rhumb lines”) as straight lines, and can be published to fill a neatly portable, rectangular sheet of paper. As a consequence of showing the round earth in this flattened format, the most popular version of the Mercator map shrinks the size of Africa, inflates the size of Greenland, makes North “up” and South “down,” slices off a piece of Russia, and shows the Atlantic shipping lanes between Europe and America as the center of the world. ”Other projection styles:



via Los Angeles Design Group
christinetheastrophysicist:


Cosmic flashes could herald birth of black holes

The birth of a black hole may be signalled by a characteristic cosmic flash, according to researchers in the US. It was previously thought that only the most massive of black holes would produce gamma-ray bursts – narrow beams of electromagnetic radiation that shoot out of the poles of the collapsing star – when they form. But other dying stars were thought to produce a black hole without any kind of flash – seemingly disappearing from the visible sky in an event known as an “unnova”. The US researchers’ work suggests that unnovae might also have their own characteristic flash, allowing astronomers to witness the birth of stellar- and intermediate-mass black holes.
Read More.
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Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
Godel, Escher, and Bach redux!  Well done. 
maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
darkula:

劉燚’s
darkula:

华远
darkula:

汪祎’s
darkula:

汪祎’s